Today begins a month long residency at the Jentel Artist Residency program located near the town of Sheridan in Northern Wyoming. Along with five other artists, I will have the chance to take in the winter landscape and work on poems without interruption. I am very grateful to the Jentel staff and everyone who makes this residency possible --the gift of time and space is a truly a special thing!
I am honored my poem "The Book of Indecision" has been included in Issue 15 of The American Poetry Journal. A special thank you to editors Theresa Senato Edwards and Hannah Craig, who have been so supportive of all the contributors to this issue. I am especially honored the poem has been nominated for a Pushcart Prize. For an interesting (and spirited!) debate about Pushcart Prize nominations, this blog post by John Fox, and the comments that follow are well worth a read.
I had the pleasure of reading in San Francisco as part of the Bazaar Writers Salon at the Bazaar Cafe in the Richmond District, not far from where I grew up. The other readers included Will Brewer (who read from his stunning new book, I Know Your Kind), Dominic Russ-Combs, Cintia Santana and Glori Simmons. It was a truly wonderful evening and a great way to welcome in Fall in the Bay Area.
I am honored to have a poem in the Contemporary Poetry Series from Corbel Stone Press, a UK based press I greatly admire edited by Autumn Richardson & Richard Skelton. Throughout 2017, the press published limited edition pamphlets exploring human relationships to the natural world. The theme of the issue my poem "How Egrets Stay Clean" appears in is "Nature and Regeneration". Not only are there many beautiful poems in the issue, but the pamphlets themselves are true works of art, with great care taken in the production of the object and the presentation of each poem.
Quiet Lightning is an incredible San Francisco based literary non-profit that works tirelessly to promote writing and writers in the Bay Area. I was honored to participate in their June 5 reading/literary mix-tape in San Francisco at the Clarion Music Center in Chinatown. Learn more about Quiet Lightning here and check out a live recording of the show here.
On March 23, I had the pleasure of reading alongside Maxine Hong Kingston, Earl Kingston, Joe Lamb, Maysa Ibrahim, and Martin Wagner at Octopus Literary Salon, as part of the al-Mutanabbi street collective. The project takes its name from and examines al-Mutanabbi Street in Baghdad, a winding street about one thousand feet long, noted for its many bookstores and outdoor bookstalls where people gathered as a great humanitarian center. Named after the famous classical Arab poet Abu at-Tayyib al-Mutanabbi (915–965 CE), it has been a thriving center of Baghdad’s bookselling and publishing for many years. On March 5, 2007, a bomb went off in the centuries old Al Mutanabbi Street book sellers district in Baghdad. The explosion took the lives of thirty people and destroyed a large portion of the neighborhood. The book sellers, who survived, rebuilt their stores and are once again in business. They sell works by Sunnis, Shiites, Christians, and Jews, children's books, and progressive publications from around the world.
I am honored to be named a 2017 Artsmith Fellow alongside Peter Kline, Melissa Mathewson, Jennifer Moore and Krista Varela. I very much look forward to heading to the San Juan Islands in the beginning of 2017 to dive into a group of poems that have been looking for some time and space.
I am looking forward to reading with this group of talented folks in downtown San Francisco as part of Litquake and the Yerba Buena Gardens Festival.